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Forms of the national myth: Slovak painting of the 30's and during World War II
Beličáková, Viktória ; Konečný, Lubomír (advisor) ; Klimešová, Marie (referee)
This Bachelor thesis Forms of the national myth: Slovak painting of the 30's and during WWII is focused on the issue of creating Slovak myth in painting in the interwar period with an emphasis on 1930's and World War II, when the national style culminated and afterwards transformed in the time of the first Slovak state. The aim of this work is overview of development process of national myth with emphasis on key figures and description of its different forms and influences. Alongside is this work focused on description of the main topics that Slovak myth include and highlight their meanings.
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Modern National Novel in Central Europe
Kúdelka, Peter ; Chmel, Rudolf (advisor) ; Pátková, Jana (referee)
in English The papers contain a finding of the national literature in between novels in the Central Europe at the age of modernism in 20s and 30s o 20th century. The idea definition of national novel in the literatures of Central Europe is difficult and complicated process. This papers work with literal texts as a part of national literature with polish novel Przedwiośnie by Stefan Zeromsky, hungarian novel Édes Anna by Deszo Kosztolanyi, slovakian novel Cesta životom by Ladislav Nádasi-Jégé, czech novel Osudy dobrého vojáka Švejka by Jaroslav Hašek and austrian novel Mann ohne Eingeschafen by Robert Musil. The finding is divided into two parts - first is finding of national novel - second is about national character. Both situations are actualized with new terms - novel of the nation and character of the nation. Both literary terms correspond to objects that are not directly denouncing the life of the nation, but produces its main ideas and identification. The slovakian and the hungarian novel focus on the struggle of individual characters with society and their new status. In the contrary to the austrian and the czech novel reveal the principle of applying national characteristics in literary philosophical swirl. The polish novel is stranded somewhere in between these two types of novel. Key...
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Forms of the national myth: Slovak painting of the 30's and during World War II
Beličáková, Viktória ; Konečný, Lubomír (advisor) ; Klimešová, Marie (referee)
This Bachelor thesis Forms of the national myth: Slovak painting of the 30's and during WWII is focused on the issue of creating Slovak myth in painting in the interwar period with an emphasis on 1930's and World War II, when the national style culminated and afterwards transformed in the time of the first Slovak state. The aim of this work is overview of development process of national myth with emphasis on key figures and description of its different forms and influences. Alongside is this work focused on description of the main topics that Slovak myth include and highlight their meanings.
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Modern National Novel in Central Europe
Kúdelka, Peter ; Chmel, Rudolf (advisor) ; Pátková, Jana (referee)
in English The papers contain a finding of the national literature in between novels in the Central Europe at the age of modernism in 20s and 30s o 20th century. The idea definition of national novel in the literatures of Central Europe is difficult and complicated process. This papers work with literal texts as a part of national literature with polish novel Przedwiośnie by Stefan Zeromsky, hungarian novel Édes Anna by Deszo Kosztolanyi, slovakian novel Cesta životom by Ladislav Nádasi-Jégé, czech novel Osudy dobrého vojáka Švejka by Jaroslav Hašek and austrian novel Mann ohne Eingeschafen by Robert Musil. The finding is divided into two parts - first is finding of national novel - second is about national character. Both situations are actualized with new terms - novel of the nation and character of the nation. Both literary terms correspond to objects that are not directly denouncing the life of the nation, but produces its main ideas and identification. The slovakian and the hungarian novel focus on the struggle of individual characters with society and their new status. In the contrary to the austrian and the czech novel reveal the principle of applying national characteristics in literary philosophical swirl. The polish novel is stranded somewhere in between these two types of novel. Key...
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